Pop Art Paintings

Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches

Spray paint on paper Hand signed Unique piece

Oil Paint on Gesso Wood Panel Part of Zoe Moss new series Apopriation The painting comes framed with a black scoop frame with gold trim 40 x 50 cm unframed 50 x 60 cm framed ‘Apopriation’ is a new series by Zoë Moss. It is a set of oil paintings...

This is a one of a kind original oil and acrylic portrait of Al Capone by Southern California artist, Gina Palmerin. Its dimensions are 60x60. It is unframed...

Untitled - Lamb is an artwork realized by the Italian artist Mario Schifano in 1995. Original mixed media, acrylic and enamel. Painting on canvas with sculpture relief. Hand-sign...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. Painting Now and afterward by Janos Kujbus has been published in the prestigious art m...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvases are the foundations of a new visual dialogue. Fisch paints with a jazz-like spontaneity, expressing personal emotions, commenting on contemporary society, and exploring old mythologies. Formulating a galaxy of the unknown, Fisch’s textural paintings flood the mind with possibility. His process is instinctive and organic, the paintings energetic and vibrant, emerging from his subconscious without judgment. They are constructed by feelings trying to find harmony. Endless figures, messages, layers, and symbols move in and out of focus as the eye explores his puzzle pieces with varied solutions. Jonas Fisch created this large colorful 93-inch tall by 67-inch wide painting with mixed media. acrylic, and oil stick on canvas. This artwork is stretched and is ready to hang. It is signed by the artist on the back of the painting. This artwork does not require framing. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery is included with the artwork, ensuring that the piece is an authentic work of art from Jonas Fisch. Born in a small fisherman's village in southern Sweden, contemporary artist Jonas Fisch discovered his love for drawing and painting at a young age and was inspired to pursue his passion by renowned artist and grandmother Ann-Marie Sjögren. Fisch reflects, “As a fundamentally introspective person, I have an explosive need to express and communicate my innermost rays, reflections, and shadows. The canvas, the brush, and the paint allow me to act out, throw up, confront, and examine those innermost feelings. Painting becomes my outlet. At a certain moment, each shape, stroke, and color suddenly takes over and the painting reveals itself. It becomes an expressive personal collaboration of art." Fisch's artworks have been exhibited across the United States, Switzerland, and Hong Kong. His paintings can be found in private collections worldwide. REPRESENTATION: Artspace Warehouse, Los Angeles Exhibitions 2018 Artspace Warehouse Los Angeles, CA 2018 New York Affordable Art...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to immerse themselves in. He’s interested in the crossover point between abstract and representational art and is constantly exploring where painting can take him and the viewer as a means of expression. This large 68 inch high by 64 inch wide original painting is created with acrylic paint on canvas. This artwork is signed on the front and back. This artwork does not require framing, it is wired and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Jonjo Elliott is a mixed-media artist working in a range of mediums, from paper and paint to skate ramps, ceramics, and chairs. Working from his studio in the UK, his vibrant works are inspired by the spaces surrounding him and his large scale still life's are intended to bring color and delight into the homes of his collectors. A graduate of De Montfort University, he now manages a studio in Leicester. Jonjo's immersive and lively artworks are collected extensively in the UK, the US, and throughout the world. His works have been represented by Artplex Gallery since his Los Angeles solo show in 2019. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 'Fragmented Fluorescence', Artplex Gallery, Los Angeles, CA 2022 'Slice of life', Artplex Gallery, Los Angeles, CA 'Instalive', 19 Karen gallery, Brisbane, Australia Affordable Art Fair New York City 2021 Artplex Gallery, Los Angeles 2019 Solo Show, Artplex Gallery Affordable Art Fair, New York 2018 Solo Show, LCB Depot Affordable Art Fair, London “Love Art,” Curve Theatre Roys People Art Fair, Oxo, London “Love Art,” New Walk Museum 2017 “Daily Grind,” Solo Show, LCB Depot “Permanent Fixture,” Gujiko Gallery “Steep Learning,” Curve Theatre “Staircase,” De Montefort University “Joe Orton’s What the Butler Saw...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 61.5-inch high by 36-inch wide artwork depicts the portrait of a female figure on a white background. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted as a continuation of the front and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork on the back of the canvas and stamped it on the front. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Building on the synthetic intensity of digital art, her figurative style depicts a familiar but warped daily life. Alea Pinar Du Pre has been influenced deeply by the traditional fine art...

Lowell Nesbitt (American, 1933-1993) Flower, 1978 tempera on board 60 1/2 x 40 1/2 inches. Provenance: Sold: Christie's East, May 18, 1999, Lot 224 Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

I only make original works. Each is a one of a kind so you will have the only one! My artwork is my emotions and you can see that emotions on the canvas - You can experience it e...

Artist: Michael Knigin, American (1942 - 2011) Title: Nothing Ventured Year: 1995 Medium: Acrylic & Enamel on Canvas, signed and titled verso Size: 26.5 x 48 inches

The Race by Stephanie Ho [2018] original Oil Paint on Canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note th...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. Painting Training day in Art reveal magazine. Story about artwork "Life is in cons...

Death Ray by BARC the dog (2022), pop art comic book style, acrylic on canvas, illustration, cartoon inspired character art, laboratory scene, science, m...

In the Moment "Vocals" was originally done back in 2011 on a small canvas that was 18 by 18 in oil (but now in spray paint on wood) it was a test to see how this image would be perce...

In the Moment "Vocals" was originally done back in 2011 on a small canvas that was 18 by 18 in oil (but now in spray paint on wood) it was a test to see how this image would be perce...

Untitled is an artwork (acrylic and Enamel) realized by the Italian artist Mario Schifano in 1995. Original mixed media. Painting on canvas with artistical relief. Hand-signed b...

De-Extinctionizer (Lyuba) by BARC the dog (2022), pop art comic book style, acrylic on canvas, illustration, cartoon inspired character art, laboratory scene, ...

Mixed-Media / Pop and Contemporary Pop / Representations of Everyday Objects / Illustration / Human Figure / Interiors / Landscape / Still Life / Technology / Bright and Vivid Colors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Spaghetti Western...

Curtis Kulig Blue Love Me Painting, 2019: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown signature mark, 'Love Me'. At 18 inches in diameter, this hand signed painting, is the perfect piece for decorative and collecting purposes. Medium: Acrylic on Linen Canvas. Measures 18 inches in diameter. Unique. Hand-signed on the verso. Obtained directly from artist. Excellent condition. About The Artist Artist Curtis Kulig lives and works in New York City. A decade ago, his private plea 'Love Me' became part of the urban fabric...

Curtis Kulig "Love Me" Black and White Painting: Oil on Linen, 2017: This one of a kind ’Love Me' painting is impossible to overlook. An expressionist black and white colorway defin...

Here it is, real 100% pop art! This is when everything is clear. This is when the object depicted in the picture is self-sufficient and valuable in itself. This is what many call a...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contem...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tells the atmosphere of 60s Specifically, the works reproduce the cov...

While McNeil was a pioneer of the New York Abstract Expressionism movement, later in his life his work became more figurative, he focused on dancers and discos, like this piece. Alth...

I love plants. I love animals too, but plants are more defenseless. More dependent on the arbitrariness of people. I will try to convey all my love in this series. How long this project is tenacious, time will tell...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. Story about the painting: “The roles of men and women in society have changed radically in recent decades. Once hunters were men, today most hunters are women. A slender, elegant man in a suit may seem like a good choice for him to fulfill a woman's dreams of her future. Who knows how much she idealizes him, who knows how much her ideas come true ... The view through pink glasses may not be real. And who knows if he will be interested in that woman ...." Despite the fact that Janos Kujbus belongs to the younger generation of Hungarian fine artists, we can rightly place his work among the top works of contemporary European art. His figurative paintings in the style of modern pop art amaze not only their size (often exceeding two meters), but also the peculiarities of their form and content. On the big canvases...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. Story about the painting: “It happens to almost every man that a woman insults hi...

This painting is acrylic on gallery-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the art...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. On photo: Painting Together by Janos Kujbus in the prestigious French art magazine Art...

This is a one of a kind original oil and acrylic painting on wood panel depicting Moses by Southern California artist, Gina Palmerin. Its dimensions are 60x360. It is unframed. A certificate of authenticity will follow its delivery. The collection of paintings in Palmerin’s “Legends” is inspired by classical art paintings...

This piece from my childhood fear series features characters from fairy tales and scary stories who act as a screen from the dangers that may be past them in the woods. In my childho...

Judy Rifka (American, b. 1945) Oil on linen painting Titled: "Ice Hockey IV 1990" featuring A depiction of hockey players with ice skating rink backdro...

Kevin Luthardt is an american artist, childrens book author, and muralist. This oil on canvas painting measures 36 x 30 in. (91.44 x 76.2 cm). It is si...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Artist: Michael Knigin, American (1942 - 2011) Title: Bare Essence Year: 1995 Medium: Acrylic & enamel on linen, signed, titled and dated verso Size: 27 x 36 inches

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 200 x 100 cm Mixed media on C...

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Elise Remender captures the romantic glamour of a bygone era in her contemporary figurative paintings that blend classical fine art and contemporary pop realism. Fantasy, mid-century fashion, and the glamour of travel and coastal living inform soft brush strokes and abstracted beauty; reminiscent of vintage advertisements and dusted sunlight. This original 50-inch square painting evokes a sense of delight and playfully nods at summery vintage aesthetics. This one-of-a-kind painting is painted with acrylic paint on canvas. It is signed by Remender on the front bottom right corner of the artwork. The sides are painted as a continuation of the front and it does not require framing. Free delivery within the local Los Angeles area. This artwork includes a certificate of authenticity issued by the gallery. Remender grew up in Arizona and is based in Southern California, but she has traveled all over the world gaining inspiration for her work. Her most recent series, Bathing Beauties, which captures the human form and abstracts it through light and reflection, was inspired by the vintage elegance and history of Southeast Asia’s historic hotel pools and gardens. It evokes a bygone era when Ernest Hemingway and Jackie O. were among the clientele. “I’m a bit of an old soul and there is a sense of elegance and beauty that has been lost in modern-day society, and I seek to recapture this essence in my work. I’m creating a sort of fantasy world of luxury, leisure, and old Hollywood glamour.” Her work has appeared in galleries in the US and Asia and in GQ Magazine, Architectural Digest, Dwell, California Home, People, among many other publications. Her paintings hang in luxury properties including The Ritz Carlton San Francisco, The Hard Rock Hotel Las Vegas, and Hilton properties across the United States, as well as in the homes of celebrity collectors including Ryan Seacrest and Kylie Jenner. REPRESENTATION: Artplex Gallery, Los Angeles, CA EXHIBITIONS: 2023 Artplex Gallery, Los Angeles, CA 2021 “The Beauty Myth”, Artplex Gallery, Los Angeles, CA 2018 “All American Inspired,” Merritt Gallery/Renaissance Fine Arts, PA, MD “At the Shore,” Eisenhauer Gallery, Edgartown, MA “Color in Motion,” Eisenhauer Gallery, Edgartown, MA “Having a Ball,” Jules Place, Boston, MA Meritt Gallery, Renaissance Fine Arts, PA, MD Studio E. Gallery, Palm Beach, FL 2017 “Distant Memories,” 111 Minna Gallery, San Francisco, CA Merrit Gallery, Renaissance Fine Arts, PA, MD “Holiday Gift Guide...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70'sDiamond - La scelta - 150 cm x 150 cm. Mi...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contem...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 100 cm x 100 cm. Mixed Media ...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 60's Specifically, the works reproduce the cov...

« Picasso Pop Portrait » Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantas...

« Saget Pop Portrait » Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantastic comic characters are installed in front of a large screen, which they look at. On the screen is projected a satirical image of WARHOL. A large open mouth, insects and doodles flutter around without disturbing the calm of the disturbing warriors. In the middle of the scene: a well-known character wonders what he is doing there; he embodies the banality so dear to Andy WARHOL. References used for this painting : The ghost of WARHOL : after Ron ENGLISH Warriors : after Whilce PORTACIO Homer SIMPSON...

title: "Warhol Pop Portrait Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantastic comic characters are installed in front of a large screen, which they look at. On the screen is projected a satirical image of WARHOL. A large open mouth, insects and doodles flutter around without disturbing the calm of the disturbing warriors. In the middle of the scene: a well-known character wonders what he is doing there; he embodies the banality so dear to Andy WARHOL. References used for this painting : The ghost of WARHOL : after Ron ENGLISH Warriors : after Whilce PORTACIO Homer SIMPSON...

« Klasen Pop Portrait » Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantas...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70s Diptych, total dimensions: 100 cm x 100 c...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 150 cm. Acrylic on C...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 200 cm. Mixed media ...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot, I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 47 inch high by 62 inch wide artwork depicts the portrait of a female figure. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted as a continuation of the front and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork on the back of the canvas. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Building on the synthetic intensity of digital art, her figurative style depicts a familiar but warped daily life. Alea Pinar Du Pre has been influenced deeply by the traditional fine art and design practices of Kunstlerhaus and Wiener Werkstaette, two artist societies with roots in Vienna, Austria. Paying tribute to her main influences, Alea describes her style as "Jugendstil Pop-Art". But where Pop art was stimulated by the iconography of materialism and the mass culture of its time, her vision is more intimate in its subversive intent. Alea Pinar Du Pre lives and works in Vienna, Austria. Her artworks are exhibited and collected in international hot spots across Europe, Asia, and North America. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 “Voltage,” Artplex Gallery Los Angeles, California Palm Springs Fine Art Fair, Artplex Gallery 2018 Singapore Artstage, Emmanuel Fremin Gallery “Layered Boldness,” Artplex Gallery, Los Angeles, CA Palm Beach Art Fair, Emmanuel Fremin Gallery “Frequencies,” Sol Art Gallery, Dublin, Ireland Artsource Ireland, Sol Art Gallery, Dublin, Ireland Vue Art Fair, Sol Art Gallery, Dublin, Ireland Istanbul Contemporary Art Fair, Sevil Dolmaci Gallery Group Show, Emmanuel Fremin Gallery AFF New York, Emmanuel Fremin Gallery Solo Show, Sevil Dolmaci Gallery Group Show, Ransom Gallery Artstage Singapore, Emmanuel Fremin Gallery, Singapore Wynwood Art Fair, Sol Art Gallery, Miami, FL AFF Battersea, Cube Gallery AFF Antwerp, Cube Gallery 2017 Scope Miami, Emmanuel Fremin Gallery, Miami, Florida Istanbul Contemporary Art Fair, Redart Gallery, Istanbul “FaceTime,” Solo Show, Sol Art Gallery, Dublin, Ireland AFF New York, Emmanuel Fremin Gallery, New York AFF Hong Kong, Emmanuel Fremin Gallery, Hong Kong Artsource Ireland, Sol Art Gallery, Dublin, Ireland Art Hamptons, Emmanuel Fremin Gallery, Southampton Cube Art...

This painting, one of ten, belongs to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 60's Specifically, the works reproduce the cover...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 200 cm. Mixed media...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 200 x 100 cm. Mixed Media on ...